In its first iteration, the sculpture comprised a modular array of linear light elements, each mapped to an individual’s daily activity data. Beginning the day as a blank, white canvas, the installation dynamically transitioned over time, accumulating real-time inputs to culminate in a vibrant, multi-coloured data visualisation of the participant's day. When aggregated into a singular installation—as captured in the prototype documentation—the collective visualisation transformed routine daily activities into a compelling, synchronised tapestry of human movement.
While the installation's core mechanics were streamlined during development, the project's conceptual scope was significantly expanded. Retitled Glasgow’s Sisters, this multi-location light sculpture was re-engineered to foster cross-cultural connection with creative communities across Glasgow’s international sister cities.
Data Architecture & Materiality
Rather than tracking localised individual data, each frosted acrylic column now functions as a real-time environmental receptor. The modules convert live regional weather data into dynamic colour temperatures, turning abstract environmental metrics into an intuitive, ambient visual language.
Curatorial Autonomy
The final framework consists of a kit of nine identical sculptural modules shipped to partner galleries within each sister city. To encourage local artistic agency, international curators are granted total autonomy over the spatial layout, with the singular brief that the final physical curation be directly inspired by the architecture, light, and character of their surrounding city.
The full pitch document PDF is available upon request.
